creative leadership : Development News

Finnegans beer, which donates its profits to charity, recently relocated from the historic Hinkle-Murphy House in Minneapolis’s Elliot Park neighborhood to a new office space just down the street.

The nonprofit brewer had to look for a new home base after the Hinkle-Murphy changed ownership, according to Finnegans staffer Tricia Nelson.

The 1,600-square-foot first-floor office space in the building at 609 S. 10th St., which also houses the Segue Cafe, among other tenants, had been vacant for some time. “We were lucky to find this space,” she says, adding, “We wanted to stay in Elliot Park. There are so many other great businesses and nonprofits nearby.”   

As another plus, the space has room for expansion further down the line, she says.

Although the set-up is still a work in progress, the space has seen some minor alterations, including a new paint job. The walls, which have been painted two shades of green, match its logo. 

To keep the budget down, most of the furniture in the offices, kitchen and meeting and reception areas, has been donated.  

Nelson says she hopes to create a friendly, relaxed atmosphere in the office. “None of us are cubicle people," she adds.  

Because it’s not able to host brewery tours, the organization wants to visually show its “Charitably Delicious Tour,”or history, in the brightly colored entryway.

With pictures and words, along with such curios as old beer tap handles, it'll tell about its efforts to fight hunger in the state and beyond. “We want this to be a well-branded storefront area,” that “shows off the brand and shares the mission and story.”

The entryway will also be a “nice space for happy hours,” and other gatherings, she says. 



Source: Tricia Nelson, Finnegans  
Writer: Anna Pratt

Neighbors Connecting for Action in Phillips (NCAP), a new community group for Minneapolis’s Phillips neighborhood, is organizing a couple of “communal” gardens in the area.

Unlike the typical community garden structure where people sign up for a certain garden plot, participants will pool their efforts in the project, according to Jude Ortiz, an NCAP representative. “We’re coming together as neighbors to grow plants for each other,” he says, adding, “It’ll be collaborative, based on what people can do.”   

One garden at 28th and Portland Avenue South will focus on perennial plants, including various native species.

NCAP has an agreement with the Sustainable Resources Center in Northeast Minneapolis to work the land, according to Ortiz. There were gardening efforts there in the past, but there's been nothing in recent years, he says.

A second garden at 26th Street and 13th Avenue South, which has a longer, more fruitful history, will grow produce.  

To get the gardens going, the group has been pulling together community members. It's planning  meetings at both places for April 15. Attendees will begin discussing the design of the gardens at these gatherings.

Because NCAP is working without much of a budget, they’re trying to get as many donations of supplies and plants as possible. Already, “There’s a lot of interest and creativity going into it,” Ortiz says.

NCAP sees the gardens as “important to restore the urban ecosystem” and to provide access to healthy, organic food. It’s also an educational opportunity, helping the community become more self-sufficient, he says.

Further, having this kind of green space “creates an oasis in the city for people and other species,” he says.

Source: Jude Ortiz, NCAP
Writer: Anna Pratt

This past winter, over 200 artists trained to do collaborative public art projects as a part of Irrigate.

It's a creative placemaking initiative for the coming Central Corridor light rail transit line. 
 
The workshops have seen more than double the level of participation that was anticipated for their first year by Springboard for the Arts, which is administering the initiative, according to Laura Zabel, who leads the organization.
 
“It’s a demonstration of the demand and interest in artists engaging the community,” she says, adding that emerging and established artists from a wide variety of disciplines have gotten involved.
 
Once artists go through the training, they can apply for grant money to do collaborative projects along the Central Corridor. Already, a number of mural projects have come out of the project, along with a concert series and more. “We’re really starting to feel the momentum,” she says.
 
For example, Leonardo’s Basement in Minneapolis is working with the Avalon School in St. Paul to create something it’s calling “sculptural mobile units,” which will travel to various events. 
 
A new business at Frogtown Square in St. Paul, which isn’t ready to go public yet, worked with Irrigate to organize a workshop called, “Make it Mysterious.” Artists designed temporary murals for the space. It led to “really cool visual pieces that animate that corner,” and the business is building on it, says Zabel. 
 
The various art events draw people to the corridor, which is especially important as construction is ramping up again, she says.
 
Irrigate is open to suggestions; on its website, it has a map where people can identify spots where art is needed. “I’ve seen people saying, here’s this ugly wall or huge dead tree, or available green space,” she says. “People know that artists think of all those things as opportunities.”
 
Source: Laura Zabel, Executive Director, Springboard for the Arts
Writer: Anna Pratt

As a part of a $20 million plan from Kraus-Anderson Realty in Bloomington, a vintage office building in Loring Park will be converted into 75 luxury apartments.
 
The J.L. Robinson Co., the company that predated Kraus-Anderson, constructed the four-level building, which previously housed the Northwestern National Life Insurance Co.
 
Michael Korsh, director of real estate development for the company, says that the building more recently “was on its way to being less than half-full,” adding, “It wasn’t falling apart but it was headed in that direction. It needed to be repurposed.” 
 
At one point there was a plan to tear it down; at about that time the company stepped in. “We really loved the building and the history of it,” Korsh says, adding that it’s rare that a company gets to revisit a development.
 
Kraus Anderson plans to secure historic status for the building, to “make sure that it can be kept [intact] forever, or as long as possible,” he says.
 
In keeping with historic standards, the building's exterior will be cleaned and retouched, but otherwise, left as it is. Original marble and plaster inside the building will also be repaired. “We’ll put it back to how it was but with more modern amenities.”
 
The amenities include a bar and lounge area, gathering spaces, media rooms, workout facilities, rooftop terrace, underground parking ramp, and more.
 
In his view, “It’s the perfect site for apartments because it’s right there on the park, close to downtown without being in the middle of a concrete jungle.”
 
The development, which will open in the fall, takes advantage of the demand for apartments. “People are renting and we expect that to continue, especially in areas like this,” he says, adding that it’ll bring “the kind of residents that are helpful to a neighborhood, who will spend money and use the park.”   
 
Source: Michael Korsh, Kraus Anderson
Writer: Anna Pratt
 
 
 
 

This year, Harvest Moon Backyard Farmers is expanding on its mission to set up sustainable “mini-farms,” and to deliver fresh fruits and vegetables to those in need.
 
Recently, Harvest Moon’s urban farming experts, Krista Leraas and Dina Kountoupes, raised $9,000 through a Kickstarter campaign, to further the cause.
 
It's helped to connect the pair to Habitat for Humanity, which “finds homeowners who are interested in gardening, who don’t have the resources or knowledge,” Leraas says.

Leraas and Kountoupes provide expertise and labor to the homeowners, helping them grow fresh organic produce. They may also lend a hand, depending on a homeowner's needs, for the remainder of the growing season.
 
As a part of another initiative that Harvest Moon has in the works, it's teaming up with the Shir Tikvah synagogue to bring items from its food-shelf gardens to the Aliveness Project.
 
It’s a natural partnership, considering that the Aliveness Project, which is a community center for people living with HIV/AIDS, is “very keen to getting a lot of good nutrition to people," she says.

Since the farmers started Harvest Moon a couple of years ago, they’ve worked with various homeowners, renters, businesses, and communities to establish “productive spaces.”
 
“Our whole philosophy is based on sustainability and sharing the surplus,” Leraas says.
 
“Many of us have forgotten what it’s like to have fresh sustenance coming from our work,” she says. “We view our yards as just kind of there.”
 
Harvest Moon is trying to reverse that trend. It’s about supporting “permaculture,” which is a combination of permanence and culture, meaning sustainability, she explains. “The idea is to be in harmony with natural law.” 
 
Source: Krista Leraas, Harvest Moon Backyard Farmers
Writer: Anna Pratt
 

 

 
 
 
 
 

The landscape is filled with the written word--but usually for the purposes of advertising or regulation.

Marcus Young, The city of St. Paul's artist in residence, says it's common to come across signage everyday that says things like “Buy one, get one free” or “No guns allowed.” He asks, why not poetry?

That reflection inspired him to start the Everyday Poems for City Sidewalk project, which is now in its fifth year in St. Paul. The idea is to bring beautiful text into the public realm, he says.

Considering that the city repairs up to 10 miles of sidewalk every year, “What better than to transform something mundane, that we take for granted, like the sidewalk system?”

Through the project, which is based on one of his earlier endeavors, poets compete to have their verses chosen to be stamped in wet concrete. The sidewalk becomes a medium for reading and writing, and thus “a walk becomes an experience of reading and imagining.”  

The contest, which has an April 13 deadline, prompts people to “think about what they would like to write in this big book” that is the city.

The city is looking for short, high-quality poems “that say something about everyday life and maybe even capture the moment of reading, looking down [on the sidewalk] and reflecting.” (Read the guidelines here.)

A handful of winners will be chosen in May, and the poems will be stamped onto various residential sidewalks around the city. Winners will also be awarded a cash prize of $150 apiece.

Young hopes that the poems take some people by surprise, and make their walk more enjoyable.

Also, winning poets get to be a part of the process of stamping the concrete slabs with their verses. “We all have the desire to stick our finger into wet concrete,” Young says. “This is that impulse glorified and sanctioned.”
 
One of his favorite poems to go into “circulation” reads: “A dog on a walk is like a person in love. You can’t tell them it’s the same old world.”

He expects that by the end of the year, 42 poems will be appear in and around the city, many repeatedly.

Source: Marcus Young, artist in residence, St. Paul  
Writer: Anna Pratt

The Northeast Minneapolis Arts District, which was established to recognize a vibrant local arts scene, took on formal boundaries in 2002 after various community leaders combined forces with the city and the McKnight Foundation.

Since then, the district has taken off, especially in the last couple of years, and many community members want to build on that, according to Susan Wagner Ginter, who chairs the board for the Northeast Minneapolis Arts Association (NEMAA).

To do so, it’s taking part in the first-ever “State of the Arts District” forum on April 12 at Chowgirls Parlor, organized by the Northeast Community Development Corporation, the Northeast Chamber of Commerce, and the participating speakers.

The event capitalizes on the fact that, “NEMAA is stronger and the arts district is a reality,” Ginter says.

For example, its annual arts crawl, titled “Art-a-Whirl,” brings 50,000 people to the area, she says, adding that the event's business impact is huge.

The question is, “How do we keep the momentum going and keep a stream of people coming into Northeast and discovering the amazing resource that we have?”

Hopefully the forum will help the community plan its next steps. “It’s about how to integrate the arts into the community and keep it vibrant,” she says.    

At the forum, Josh Blanc, who co-owns Clay Squared to Infinity with his wife, Layl McDill, will talk about their experience with a downtown pop-up art store, which they ran in a vacant space over the winter.

“They took a risk and they did really well selling their artwork,” Wagner says.  

Further, it’s a good example of artists getting out of their studios and into the community, a move that has a lot of potential, she says.

She hopes that the forum will bring together community leaders who’ve been instrumental in setting up the district, along with others who want to get involved.

Source: Susan Wagner Ginter, president, NEMAA board
Writer: Anna Pratt 

The Smack Shack food truck, which specializes in New Orleans-style “po’ boy” seafood sandwiches, is adding a permanent space in downtown Minneapolis’s North Loop neighborhood.

It’s going into the one-story brick building that previously housed Holden Graphics Service, according to Josh Thoma, who co-owns the restaurant along with his business partner, Kevin Fitzgerald.

As far as he knows, it’s the first food truck in the Twin Cities to open a restaurant. “For a lot of people starting food trucks, that’s the goal,” he says.

Starting out with a food truck is a good testing ground, according to Thoma. With a permanent space, “Obviously there’s a lot more build-out and overhead with it.”

The restaurant will have a relaxed, coastal feel, he says.

“Picture a cottage or a cabin on Cape Cod,” he says, adding that the place will feature a lot of whitewashed reclaimed wood.

Among the building’s unique architectural features are “gorgeous wooden trusses” that support the roof, 26-foot ceilings, and exposed brick walls, he says.  

In the past, farm equipment got loaded through the large sliding train doors in the one-story building, according to Thoma, who adds that the doors will soon open onto a 60-seat patio. Even in the 115-seat dining room, “It’ll have an open-air feel,” he says.  

A lobster boiler will be a prominent design feature, along with a bar that lets patrons see food being prepared.

Lobsters will be kept in green fiberglass fish tanks, like those that can be found in a typical coastal eatery or a local bait shop.   

The Smack Shack will also continue its relationship with the 1029 Bar in Northeast Minneapolis. The bar is screening the April 9 episode of “Diners, Drive-ins and Dives,” which features the restaurant.

About its new digs, which will be ready in late June, Thoma says, “I think it’ll have an impact on the Twin Cities."

Writer: Anna Pratt
Source: Josh Thoma, co-owner, Smack Shack

The third annual “30 Days of Biking” event encourages community members to bike somewhere every day during the month of April.

It’s hosting a number of “group rides” and other events to keep the momentum up and introduce participants to each other, according to information posted on its website.   

So far, 1,900 people have signed up for the local challenge, according to the site. Patrick Stephenson, a spokesperson for the group, expects that figure to increase to 4,000.

Over the past several years, the event has gotten bigger and bigger, which is a trend that he’d like to see continue.

In 2010, 600 people joined in the first 30 Days. “It’s a city that’s really excited about bikes,” and the infrastructure is there to support this type of program, he says. There are a number of bike paths in place, “which is probably the reason why Minneapolis has taken hold of it.”

This time around, 30 Days of Biking is hosting a story contest. It’s asking for brief essays about a moment that stands out during the biking month. “Any life-changing epiphanies? Spiritual awakenings? Fun times with friends and family?” the project asks on its website.

It’s also asking people to share their stories via social media. “I really like the grassroots flavor,” Stephenson says. “We’re trying to make it as fun and popular as we can.”

Looking ahead, he’d like to see the event “get more legitimate,” and that “we get better at doing it” and put more time into it. Hopefully it’ll have “more things that people can share.”  

Source: Patrick Stephenson, 30 Days of Biking
Writer: Anna Pratt

Anne Damon has long considered opening a Mexican folk-arts shop, so when a Southwest Minneapolis space became available earlier this year, she jumped at it.

She plans to open Zinnia Folks Arts at the end of April, and the grand opening is scheduled for May.

Zinnia Folk Arts will be a cross between a gallery, gift shop, and folk art store, she says.

Kurimay Upholstery had occupied the space at the corner of 46th and Bryant Avenue South for 40 years, according to Damon.

Damon spruced up the space, making only slight changes, swapping out the lighting, painting, and doing minor repairs, she says.

To show off the brightly colored items, the walls will be painted in neutral shades. The place will have a “clean, contemporary aesthetic."

In the past, Damon, who has collected Mexican folk art since she was in high school, had pop-up sales in her house and later, an interior design studio. For a while, she also shared a space with seven other shop owners who are part of the Guild Collective in St. Louis Park. At the same time, “I always wanted my own space," she says.

At Zinnia, she plans to feature “beautiful items you don’t often see in the Midwest,” including home goods, jewelry, ceramics, textiles, gifts, and more.

The idea is to give people a taste of Mexican folk culture.

Too often, these kinds of objects get put in storage in museum collections, she says. “I hope to not only show people these incredible handmade pieces, but also educate people about the artist and process.” She adds that she buys objects directly from artisans working in non-tourist-y areas.

Source: Anne Damon, owner, Zinnia Folk Arts
Writer: Anna Pratt

The eight-minute documentary “A Fistful of Public Art,” plays off of the title of the 1964 spaghetti western A Fistful of Dollars but celebrates creativity rather than crime.

Deacon Warner, youth program coordinator at IFP Center for Media Arts, a St. Paul-based nonprofit, worked with a seven-member group of students from Avalon High School to create the film.

The opportunity came from Forecast Public Art, “which was interested in doing something with IFP and youth to promote public art, to raise awareness,” says Warner. It made sense because Warner was already doing a residency with the nearby school.

The students, with Warner’s help, shot the film over the winter, for $2,000.

They focused on five works in Minneapolis and St. Paul, including a large-scale piece titled "P.S.--Wish You Were Here," by Stanton Gray Sears, and Lisa Elias’s stylized bus bench “Forged Roots."

Students interviewed the artists behind the artworks. Afterwards, they used the works as a backdrop for surveying people in the street--with a catch: the filmmakers concealed the works with tarps, then grilled passersby about what they thought was under wraps. Many people couldn’t recall that a piece of public art had been covered up, but for the most part, interviewees were positive about public art, once the point of the exercise was explained to them.

Warner hopes that viewers will take away an appreciation for public art, which “helps create an identity as a community, creating something of meaning that’s lasting.” It's a function, he says, that can be overlooked at times.

The filming seemed to create meaning for the young crew as well. "What’s most exciting about the project and working with the youth is seeing their voice emerge and the project develop,” Warner says.

The movie started out with talking heads-- “something staid, but then they introduced the idea of ‘Men in Black’ kind of raids on art,” which “made it much more engaging,” he says, adding that even a pigeon plays a an amusing role in the movie.

Source: Deacon Warner, IFP Media Arts
Writer: Anna Pratt

The Guthrie Theater in Minneapolis recently updated its self-guided audio tour of the building, which allows people to learn more about the theater at their own pace.

It’s accessible via smartphone, iPod, or other listening device, and devices can be checked out from the theater, according to Guthrie spokesperson Quinton Skinner.

The 40-minute tour takes people through various levels of the building, starting with the main lobby. Users can get behind-the-scenes details about the structure's architecture and history, including its auditoriums, artwork, lobbies, cafes, and meeting spaces.

A highlight is the cantilevered “endless bridge” that reaches toward the Mississippi River.

From level nine, people get a chance to take in “one of the best views of the city,” Skinner says.

The tour goes on to describe the building’s shiny blue facade, which is decorated with images of  playwrights who have special ties to the theater, he explains.

One benefit of the tour is that it's self-guided, so that “if someone is really entranced by a view, they can pause and reflect.”

When starting out, listeners get to choose between six different narrators: St. Paul Mayor Chris Coleman, WCCO-TV news anchor Angela Davis, performer and writer Kevin Kling, Minneapolis Mayor R.T. Rybak, Cities 97 radio personality Brian (B.T.) Turner, and actor Sally Wingert, according to Guthrie information.

The idea behind the tour is to “remind people that the Guthrie is...[a] community treasure that’s open to the public everyday,” even when shows aren’t happening, Skinner says.

He admits that “it was a lot of hard work, working on the script and recording it and editing it and making it user-friendly,” but he hopes that the result is something that appeals to both out-of-towners and locals who are curious about the theater.  

Source: Quinton Skinner
Writer: Anna Pratt

Frogtown Farm and Garden announced on May 5 that the Trust for Public Land made a successful bid on a 13-acre parcel to help make the urban farm possible.

The Trust, a national nonprofit organization that conserves land for parks, gardens and other natural places, recently struck a deal to buy the land for $2.2 million from the Amherst H. Wilder Foundation, according to Frogtown Farm information.

Wilder is a nonprofit health and human services agency that was previously headquartered at the site.    
Frogtown Farm, which a number of community members have been working on over the past several years, would bring an urban demonstration farm, recreation area, and nature sanctuary to a neighborhood that the city has identified as lacking in green space, according to farm information.

Farm organizer Tony Schmitz says, “It’s exciting news. We’re extremely grateful that the Trust has stepped up and pushed the whole issue forward.”

Now, the groups are working to finalize a purchase agreement, he says.

Soon, the farm’s organizers will be focused on fundraising to come up with the money for the land, which is worth more than double the sale price.

“The sale price is significantly reduced from the appraised value as Wilder’s contribution to the community, and to ensure the property will be used in a way consistent with the community’s vision to be of benefit to the community,” a prepared statement from Frogtown Farm reads.

Over the course of the next 18 months, the group will be looking for contributions from government entities, foundations, and individual donors, says Schmitz.

There’s a lot of work to be done to engage people along the way and design the farm to fit “what exactly people want there," he says.

His sense is that “There’s a lot of support for this idea right now,” with people looking at food production with an eye to “how they can have a lighter footprint on the planet.”

It's validation for the fact that “We’ve believed all along that Frogtown kids and families need more green space to enhance their lives,” he says.  

Source: Tony Schmitz, organizer, Frogtown Farm and Garden
Writer: Anna Pratt

A former carpenters' union office on East Lake Street in Minneapolis is being re-imagined as the Forage Modern Workshop.

Brownsmith Restoration is redeveloping the building, which will house its offices along with a furniture store and a brand/idea workshop, according to Brownsmith partner James Brown.

It’ll take nearly $200,000 to turn it around, he says. (Check out its progress here.)

Forage will feature local furniture makers who specialize in modern and vintage designs, he says, adding, “It’ll be kind of like Design Within Reach but on more of a local scale.”

Small manufacturers and designers will sell new and existing lines in the store. Certain home goods, such as specialty wallpaper, will also be available. “It’ll be a curated store, with stuff that we think is really cool,” he says.

Inside, there will also be a café, which will be furnished with tables and chairs from the shop.

The redesign of the 1951 building will reflect its roots with a mid-century modern aesthetic. Reclaimed oak paneling is just one way that Brownsmith will create that, he says.

Forage’s store will launch online first, within the coming weeks, while the café will be ready within six months, according to Brown.

Already, Brown is thinking about ways to make the place, which sat vacant for a year, a destination.

In the future, the building could also be a drop-off location for community-supported agriculture (CSA). It's already hosted various performance art activities. “We’re trying to make ourselves culturally significant,” he says.

East Lake Street is “an important commercial part of the city,” he says. “We want to help redevelop it,” and that, he adds, will “help the surrounding properties a ton.”

Source: James Brown, Brownsmith Restoration
Writer: Anna Pratt

Last spring, a task force from the Union Park District Council in St. Paul started scouting out places for a new community garden.

A workshop with the local nonprofit organization Gardening Matters helped to get the project going, according to landscape architect Jeff Zeitler, who serves on the task force.

Finding open land was a challenge in the well-developed neighborhood, but the group has settled on a spot near Interstate 94 and the intersection of Prior and Gilbert avenues. To set up the Prior/Gilbert Community Garden at this location, the council is working out a lease agreement with the city’s public works office, he says.

It would be mutually beneficial in that “We maintain the space and they [Public Works] don’t have to, and we get to grow food there,” he says.  

One reason the community started looking for potential garden space was that the existing Eleanor Graham Community Garden, which has a long waitlist, will be closed temporarily next year during the reconstruction of a nearby city bridge.

In 2014, both gardens will be in play. “There’s a big demand for community garden space,” Zeitler says. “It’s really something to see.”

This spring, Prior/Gilbert will start out with 42 plots. The garden includes different-size parcels and individual and community areas. It has a phased implementation plan, which means it’ll start out with only the bare-bones necessities, according to Zeitler.

Getting water to the garden is the most expensive task, while donations are still needed for a shed, tiller, fencing, fruit trees, and more, he says.

Zeitler hopes the neighborhood’s gardeners will be able to start digging in the dirt by the end of April.

The rewards go beyond local food production. “It’s a community center in some ways. [In the garden] people talk and meet their neighbors. It brings people together,” he says.  

Source: Jeff Zeitler, volunteer, Union Park District Council
Writer: Anna Pratt